The story chronology of The Fault in Our Stars, chronicles around two teenagers, Hazel and Augustus, who are seventeen and eighteen years old respectively. The two lovebirds meet and fall in love in a cancer support group at a church, The Literal Heart of Jesus. Hazel suffers from a stage 4 thyroid cancer and is always carrying an oxygen tank with a cannula in her nose. On the other side, Gus is suffering from a bone cancer, which made one of her leg be amputated and is now walking on a prosthetic leg (Minzesheimer, 2012). They both overcome the challenges to just love one another unconditionally. This becomes a life lesson to many people who suffer the same illness. It is compared to the novel of Juliet and Romeo. These two soul mates seem quite positive about their love affair, which takes them on a love life journey undeniably. Both accept what the world offers to them and choose to live a positive life despite the stigmatization. This brings a lot of life lessons for many people who are in the same situation (Earl, 2014).
This paper elaborates the love between two individual and the circumstances which surrounding their relationship. It also gives an understanding how love can conquer fear, animosity in human life. The two young teenager love story gives the readers glimpse of effects of being true oneself at all-time regarding the health condition.
The story presents protagonists conflict between love and safety. Hazel keeps her love for Gus a secret from him. She denies him a kiss in the park and in return tells him “I love you” in the train to Amsterdam. This is as a result of fear of being hurt. This is depicted where Hazel tries not to reveal her emotions towards Gus. Moreover, the story reveals Love and evangelism. The movie illustrates a situation where young adults just like Hazel and Gus are involved in evangelism as well (Heyman, 2012). The subject matter touches on religious and moral upbringing when evangelism chips in. In fact, Loyalty and realness is pinpointed when Gus looks at Hazels’ beauty and confesses that he is not bold to fall in love like Hazel. Clearly, he says the things the way they are and cannot waste a lot of time. He is not afraid of loving at the moment. Hazel’s eulogy during the pre-funeral and the disastrous meeting with Houten depicts her maturity. This shows her ability to lover Gus at the moment and move on after he dies.
Interestingly, self-acceptance is seen in the movie. “The world is not a wish-granting factory.” The world will not always care about individual’s feelings and will not at all time be fair. No pain without joy. In Hazel’s eulogy, she says that funeral is made for the living and that this concept could be comforting to Gus’ family and others. In addition, the side effects of cancer and people with cancer outshine the peoples’ emotions and perspectives about life (Green, 2012a). This is a concept brought about by Hazel and Houten relating to the depression the cancer patients normally have. Ultimately, imagery and emotions dominate the movie plot. For instance, Hazel tries not to make her sadness her home. She does not want to make people around and close to her be sad too, despite all the challenges. She tries to hide her feelings so as not to hurt others, especially Gus.
Kissing in public: Gus and Hazel kiss in public at Ann Franks’ House (Jewish Historical Museum 1944) for the first time. Onlookers applaud them. Kissing in public here was not an issue even if it was between teenagers. There is the concept of romance (Steinmetz, 2014). The two teenagers love each other from the cancer support group attended. Despite their conditions, they chose to love one another and be there for one another irrespective of the challenges they were facing (Minzesheimer, 2012). There is metaphor where Gus wanted to smoke a cigarette and Hazel was against it. He then turns says he never smokes cigarettes he puts between his teeth so as not to give the killing item any power.
Fraud Conceptual Framework: Both Gus and Hazel got disappointed by Houten when he could not give them the appropriate answers. This showed that Houten was a fake author and hence fraud. Isolation is another concept that surfaces where the two lovebirds isolate themselves and travel to meet Houten, the author of the book, so as to have their questions answered (Green, 2012b). Also, the concept of communication is clearly depicted that tend to focuses on the body language and facial expressions.
Family Ties, Love and Religion: Kagitcibasi,(2017) rightly points out that the two are loved by their parents so much irrespective of their conditions and the challenges they face and hence the theme of family. Hazel tries to isolate herself from Gus due to her conditions. However, Gus tells her that it cannot lessen his affections towards her. This is also shown when they travel to Amsterdam to meet Houten. Love and religion dictates the whole movie. Gus and Hazel love one another despite their challenges. Their parents also love them so much (Schooley, 2013). These bring the theme of love. Outstandingly, Hazel and Gus first met in cancer support group in a church called Literal Heart of Jesus. Hazel’s parents are also believers and that is why they encouraged her to go to the cancer support groups.
Courage, Identity and Morality: The teenagers are so courageous despite the challenges that face them. They have the courage to love each other despite their sicknesses. Living with cancer and being positive takes courage. In fact, identity is portrayed when Hazel identifies herself in the movie and accepts herself as a cancer victim and chooses to live with it (Talbot, 2014). Ultimately, the two teenagers go through philosophical ideas about their existence. They have to die too soon despite them falling in love. Coming of age manipulates ideas of the two lovers; where Hazel comes to adulthood through getting into a romantic relationship with Gus for the first time (Koerner, 2014).
Critically, the society ought to stop demanding answers and stay in the question. This is accepting the uncertainties that lie on the teenagers’ future. People should not ask a lot of questions about the looming future and what it holds for everyone (Alesina et. al., 2014). All the society needs to accept nature and its course and let the future determine itself. Live in the moment. For instance, Hazel clearly states “some infinity are bigger than other infinities.” We should every moment we spend with other people at our present. Hazel is given smaller “infinity” with Gus. She only has minimal time to send with him (Minzesheimer, 2012). People must learn to adapt with being happy with the place they occupy in the world. John Green states that “the world is not a wish-granting factory.” People aspire for bigger goals in life. However, there is a time coming where one should be contented with “enough” an appreciation for what they have rather than the dejection for what the world offers. Ultimately, the movie enlightens the youngsters to go for the risk. Gus asserts that “oblivion is inevitable”. This means that there are certain risks the young generation ought to take for the sake of greater returns (Green, 2012b). In fact, with true love is generations can achieve their dreams and aspirations and live their visions. This film redeems hope that true love still exists, which can turn dreams into realities. Perhaps true Hazel and Gus may not exist but in reality, it depicts the existence of true love.
People suffering from cancer should be free and have positive impact on their lives. They should freely interact with other people to stop stigmatization. This inspires and gives credit on their situation. Furthermore, the effects of the chemotherapy on the cancer patients seem to morally and physically deem peoples; self-esteem (Minzesheimer, 2012). For example, this affects Hazel and Gus negatively. These patients should have hope, and lead by examples to stop demoralization and stigma. People suffering from cancer have feelings just like anyone else. Though suffering from cancer, Hazel and Gus love one another. Notably, Cancer people should not shy off from seeking treatment. Hazel seems to shy off from peoples’ perceptions and not ready to seek treatment to the level of being forced by the parents.
Conclusively, the movie is an inspirational read, which portray unity, love and perseverance despite the predetermined conditions. The two teenagers’ love story inspires many people to be bold and not to give up on some essential visions and dreams in life that make up part of our lives. They chose to be different and together decided to be on that love journey that changed their lives. Even if Gus dies at the end of the movie, Hazel’s has positively changed. This should be taken as an example by the cancer patients so as to live healthy lives. This will eradicate stigmatization in our society when they make friends.
References:
Alesina, A., & Giuliano, P. (2014). Family ties. In Handbook of economic growth (Vol. 2, pp. 177-215). Elsevier.
Deahl, R. (2012). “Fox Options John Green’s ‘Fault in Our Stars'”. Publishers Weekly. Retrieved from https://www.publishersweekly.com/pw/by-topic/childrens/childrens-industry-news/article/50442-fox-options-john-green-s-fault-in-our-stars.html
Earl, E. (2014). My sister inspired ‘The Fault in Our Stars’. The movie is her sequel. Washington Post.
Green, J. (2012a). An Abundance of Covers Competition, New Jersey: Penguin Group.
Green, J. (2012b). The Fault in Our Stars. New Jersey: Dutton Books
Heyman, M. (2012). “The Young and the Sociable”. The Wall Street Journal. Retrieved February 18, 2012.
Kagitcibasi, C. (2017). Family, self, and human development across cultures: Theory and applications. Routledge.
Koerner, M. M. (2014). Courage as identity work: Accounts of workplace courage. Academy of Management Journal, 57(1), 63-93.
Minzesheimer, B. (2012). “‘The Fault in Our Stars”: not a cancer book”. USA Today
Schooley, T. (2013). “Fox 2000 shoots for ‘Stars’ in Pittsburgh”. Pittsburgh Business Times. Retrieved July 11, 2013
Steinmetz, K. (2014). The transgender tipping point. Time Magazine, 183(22), 38-46.
Talbot, M. (2014). The Teen Whisperer: How the author of ‘The Fault in Our Stars’ built an ardent army of fans. The New Yorker.
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