Brand Resonance Model and Brand Equity for Building Brands

Critically discuss how both the Brand Resonance Model and the concept of Brand Equity may be used to guide brand building activities.

A brand is defined as a “name, term, sign symbol (or a combination of these) that identifies the maker or seller of the product” (Kotler, 2013).  In order for a brand to succeed in the ever increasing market, brand building activities such as promotion and advertisement must be conducted in order to gain awareness to establish and promote the company.  In order to discuss how the Brand Resonance Model and the concept of Brand Equity may be used to guide brand building activities, both terms must first be explored. 

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It is difficult to define Brand Equity due to the vast range of contradicting opinions in this field. Early definitions in 1988 by academics included, “the net present value of the incremental cash flows attributable to a brand name” (Shocker and Weitz, 1988) to the broader definition that brand equity is, “added value that a brand confers to a product or a service” (Farquhar 1989).  It should be noted that these two definitions, whilst only 12 months apart, span the full spectrum of academic opinion and highlight the many, “facets the term has” (Brahmbhatt and Shah, 2017).

Financially, Brand Equity is described as the “total value of a brand which is a separable asset – when it is sold or included in a balance sheet” (Atilgan et al., 2005).  Brand Equity defined from the employee perspective is based on the “differential effect that brand knowledge has on an employee’s response to his or her work environments and cultures” (King and Grace, 2009). 

Kotler (2013) defines Brand Equity as the “differential effect that knowing the brand name has on customer response to the product or its marketing” mirroring Keller’s view in 1993.  Both opine that, “a brand has positive brand equity when consumers react more favourably to it than to a generic or unbranded version of the same product” (Kotler 2013).  It is argued that, “brands with high brand equity enjoy high purchase intention, purchase loyalty and consumer preference” (Aaker and Jacobson, 1994 and Cobb et al, 1995). 

Aaker (1991) defines Brand Equity as, “a set of brand assets and liabilities linked to a brand, its name and symbol, that add to or subtract from the value provided by a product or service to a firm and/or that firm’s customers.”  The brand assets are grouped into five categories; Brand Loyalty, Name Awareness, Perceived Quality, Brand Associations and other proprietary Brand Assets – patents, trademarks, channel relationships.  It can be argued that Brand Equity offers guidance to interpret past marketing performance and design future marketing programs. 

Brands with high levels of equity are associated with “outstanding performance” (Farjam, 2015) with Keller and Lehmann (2003) and Vazquez et al. (2002) stating that “successful expansion into new businesses, competitive cost structures, high profitability and high market shares are all contributing factors to companies” competitive advantage. Brand Equity can be used to guide brand building activities when a company wants to expand their product line.  If a consumer has a positive attitude towards the brand they are more likely to remain loyal and purchase from them again. This highlights that the concept of Brand Equity is useful when the brand is already established.  “Brands with high brand equity enjoy high purchase intention, purchase loyalty and consumer preference” (Aaker and Jacobson, 1994 and Cobb et al, 1995) and so therefore should be considered when expanding a product line.   An example of a Brand that has strong Brand Equity is Apple thanks to its loyal consumer base and targeted advertising. It is ranked number one in the best global brands in 2018 and is worth $300.6 billion.  (Statista, 2018)

However, it can be argued that Brand Equity is actually formed once a brand has been created and therefore is a product of brand building activities. The customer based definition stresses that the power of a brand lies in what resides in the hearts and minds of customers.  Therefore, it could be argued that it is not actually used to guide brand building activities but is better defined as the pinnacle point of building a strong brand. 

The Brand Resonance Model, more commonly known as Keller’s Brand Equity Model or the consumer-based Brand Equity Model illustrates the four steps of six building blocks (Salience, Imagery, Performance, Judgements, Feelings, Resonance) that Keller argues businesses should take in order to develop a successful, strong brand. It has been highlighted that once the brand has reached the top of the pyramid, they will have a ‘completely harmonious relationship between customers and their brand’ (Kuhn et al, 2008) and will ‘gain the advantage of increased loyalty and a reduction of competition in the market’ (Keller, 2016).  Subsequently, it could be argued that the model ‘provides a yardstick by which brands can assess their progress in their brand-building efforts as well as a guide for marketing research initiatives’ (Keller, 2016) which mirrors that of Brand Equity. 

Brand Salience; the first section of the pyramid is defined as ‘the tendency of the product or brand to be noticed or thought of in buying situations’ (Romaniuk and Sharp, 2004).  In order for a brand to ‘stand out in an ever – increasingly crowded and cluttered brand race’ Kauppinen‐Räisänen et al (2012) argue that the brand must be salient.  Strong brands such as Apple have high brand salience and therefore have a ‘greater chance of recall compared to competing brands’ (Alba & Chattopadhyay, 1986) such as Nokia.  A positive way in which brands can become more salient is by using Celebrity endorsements.  It has been stated that “celebrity endorsement leads to a favourable attitude toward the endorsed brand”  (Till et al., 2008) and “influences advertising effectiveness, brand recognition, brand recall, purchase intentions and even purchase behaviour “(Spry et al,. 2011) with Kamins (1989) also stating that “brand attitudes and purchase intentions are affected positively by celebrities.”

An example of a successful celebrity endorsement campaign is Chevrolets #BestDayEver.  Their aim was to change people’s views towards them as a brand and to get rid of the apathetic views.  Chevrolet achieved this by partnering with celebrities across social media and radio personalities that weren’t directly tied to Chevrolet.  Using celebrities that were ‘new’ to them enabled the company to reach new audiences and afforded them the opportunity to target millennials through their use of social media platforms as well as an 8-hour live stream on YouTube.  The campaign consisted of, ‘Acts of Awesomeness’ happening all over the US, ranging from Chevrolet paying for a woman’s fuel to Kelly Clarkson hosting a lunch for new mums.  The campaign saw preconceived ideas eradicated with 1.5 million social media impressions and a 35% increase in Brand opinion.  As a result of celebrity endorsements, Chevrolet were able to target a wider range of potential consumers which in turn enabled them to alter misconceptions of them as a brand, whilst increasing brand awareness by capturing their attention therefore making them more salient. (Shortyawards.com, 2019)

However, it must be noted that before a brand is salient, market segmentation should be undertaken in order to ensure that the brand is targeting the right consumers.  Celebrity endorsement is only effective if the right people are being targeted, thereby highlighting that this model has its limitations.  If market research and market segmentation were undertaken before Brand Saliency, the model might arguably be more effective.

Brand meaning is “made up of two categories of associations that exist in customer’s minds which are related to performance and imagery” (Keller, 2013).  The associations can be formed directly (from a customer’s experience and contact with the brand) or indirectly (through the portrayal of the brand in advertising or by word of mouth.)’ (Keller, 2013) Researchers have highlighted that at this stage points of parity and points of difference should be highlighted to customers.  An example of a company that portrays a strong brand meaning is Patagonia, a clothing company making high quality outdoor clothing and equipment which has successfully demonstrated both brand performance and imagery.  Its brand performance highlights reliability and durability mirroring their core values as a company that design clothes for simplicity and utility.  It’s brand imagery is heightened by its commitment to ‘donating time, services and at least 1% of all sales to help grassroot organisations’ (Patagonia 2018). Customers feel immersed in the charitable aspect of their purchase which enables them to feel partly responsible for helping the environment. As a result, Patagonia are able to further their Brand Equity financially through a morally aesthetic route, thereby building upon the foundations of a secure brand.  However, due to the fact market segmentation might not have been conducted earlier in the model, this stage could be deemed useless if not targeted at the right consumers.  Whilst Patagonia have a strong brand image, if it doesn’t relate to their target market, consumers are more likely to buy from competitor’s brands such as, North Face.

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The third stage of the model is Brand Responses which “refers to how customers respond to the brand” and states “what customers think or feel about the brand” (Keller, 2001).  This building block is split into two sections; Judgements and Feelings.  Judgements include “overall quality, credibility, superiority and consideration whilst feelings include the customer’s emotional responses and reactions to a brand” (Kuhn et al., 2008).  In order to build a strong brand, both judgements and feelings must be considered.  A brand building activity which could make a brand stronger is advertisement due to the emotional responses and reactions it can generate.  It is without doubt that Herbal Essence’s revitalizing and Fruit Fusions Shampoo advert has engendered brand feelings with consumers as the advertisement depicts a woman using the product and exclaiming ‘Yes, yes, yes’ generating four of the six important types of feelings (fun, excitement, social approval and self-respect.)

Brand Resonance is the final stage of the model and arguably the most desirable to reach.  It refers to the “nature of the relationship that customers have with the brand” (Keller, 2013).  It can be broken down into 4 stages; loyalty, attachment, sense of community and active engagement.  Keller (2003) argues that “brand resonance is the key to building deep attachments and evoking strong emotions.” Harley Davidson is a brand that has established a strong brand by using this principle.  Its customers are extremely loyal with around 45% of owners having previously owned a Harley (Rifkin, 2019).  There is a sense of community due to the fact they have a global Harley Owners group which organizes regular events for its 900,000 members, who enjoy benefits of magazines, a touring handbook, emergency road service, insurance and discount hotel rates (Keller, 2013). The company has been able to create a community of enthusiasts ranging from young children to the elderly.  

Keller’s Brand Resonance Model is effective in helping guide brand building activities as it creates a checklist for brands to complete in order to gain more Brand Equity.  It must be noted that Keller’s model does have its limitations however.  The model is focused on Business to Consumer and certain sections do not fit the Business to Business relationship.  For example, the model is focused “on the individual brand but Business to Business products are often marketing under a manufacturer label where the companies name is used” (Keller 2016). It can be argued that the Brand Resonance model reflects a customer focus rather than a business focus.  

In conclusion, both the Brand Resonance Model and Brand Equity guide brand building activities.  However, it is without doubt that the concept of Brand Equity alone would not be sufficient to guide a brand but used in conjunction with the brand resonance model it would be more effective.  Whilst they both aid in building a brand they do both have limitations.  Brand Equity; whilst it is imperative in brand building it is hard to measure.  Similarly, the Brand Resonance Model misses out specific brand building activities which if aren’t correctly carried out could alter the way the brand is built. 

References:

 

Books

 

Aaker, D.A., 2009. Managing brand equity. simon and schuster.

Keller, K., 2013. Strategic brand management: Global edition. Pearson Higher Ed.

Keller, K.L., 2002. Branding and brand equity. Handbook of marketing, 151.

Journals

Ande, R.A., Gunasekaran, A., Murugesan, P. and Natarajan, T., 2017. Brand resonance score for CBBE model: an application in financial services. Benchmarking: An International Journal, 24(6), pp.1490-1507.

Alba, J.W. and Chattopadhyay, A., 1986. Salience effects in brand recall. Journal of Marketing Research, pp.363-369.

Araujo, D., Caldwell, H. and DeFanti, M., 2018, January. Nike’s Utilization of Brand Strategy to Increase Global Competitiveness. In Competition Forum (Vol. 16, No. 1, p. 109). American Society for Competitiveness.

Baalbaki, S. and Guzmán, F., 2016. A consumer-perceived consumer-based brand equity scale. Journal of Brand Management, 23(3), pp.229-251.

Brahmbhatt, D. and Shah, J., 2017. Determinants of Brand Equity from the Consumer’s Perspective: A Literature Review. IUP Journal of Brand Management, 14(4).

Davcik, N.S., Vinhas da Silva, R. & Hair, J.F. 2015, “Towards a unified theory of brand equity: conceptualizations, taxonomy and avenues for future research”, Journal of Product & Brand Management, vol. 24, no. 1, pp. 3-17.

Farjam, S. and Hongyi, X., 2015. Reviewing the concept of brand equity and evaluating consumer-based brand equity (CBBE) models. International Journal of Management Science and Business Administration, 1(8), pp.14-29.

French, A. and Smith, G., 2013. Measuring brand association strength: a consumer based brand equity approach. European Journal of Marketing, 47(8), pp.1356-1367.

Jung Jung, H., Lee, Y., Kim, H. and Yang, H., 2014. Impacts of country images on luxury fashion brand: facilitating with the brand resonance model. Journal of Fashion Marketing and Management, 18(2), pp.187-205.

Kauppinen‐Räisänen, H., Owusu, R. and Abeeku Bamfo, B. (2012). Brand salience of OTC pharmaceuticals through package appearance. International Journal of Pharmaceutical and Healthcare Marketing, 6(3), pp.230-249.

Keller, K.L. 2016, “Reflections on customer-based brand equity: perspectives, progress, and priorities”, AMS Review, vol. 6, no. 1, pp. 1-16.

Keller, K.L., 2001. Building customer-based brand equity: A blueprint for creating strong brands (pp. 3-27). Cambridge, MA: Marketing Science Institute.

Keller, K.L., 2009. Building strong brands in a modern marketing communications environment. Journal of marketing communications, 15(2-3), pp.139-155.

Kuhn, K.A.L., Alpert, F. and Pope, N.K.L., 2008. An application of Keller’s brand equity model in a B2B context. Qualitative Market Research: An International Journal, 11(1), pp.40-58.

Lassar, W., Mittal, B. & Sharma, A. 1995, “Measuring customer-based brand equity”, Journal of Consumer Marketing, vol. 12, no. 4, pp. 11-19.

Panda, R. and Kapoor, D., 2016. Managing loyalty through brand image, judgement and feelings for leveraging power brands. Management & Marketing, 11(4), pp.624-637.

Piyush, M.K.J., 2012. Celebrity endorsements and brand building. Journal of advertising, pp.1-88.

Samu, S., Krishnan Lyndem, P. and Litz, R.A., 2012. Impact of brand-building activities and retailer-based brand equity on retailer brand communities. European Journal of Marketing, 46(11/12), pp.1581-1601.

Şimşek, G., 2014. Celebrity endorsement: how it works when a celebrity fits the brand and advertisement. International Journal of Social, Business, Psychological, Human Science and Engineering by World Academy of Science, Engineering and Technology, 8(4), pp.994-1002.

Spry, A., Pappu, R. & Bettina Cornwell, T. 2011, “Celebrity endorsement, brand credibility and brand equity”, European Journal of Marketing, vol. 45, no. 6, pp. 882-909.

Dissertations

Gurel Atay, E., 2011. Celebrity endorsements and advertising effectiveness: The importance of value congruence (Doctoral dissertation, University of Oregon).

Rantanen, J., 2017. Celebrity Endorsement in Social Media Marketing.

Peltola, N., 2014. Building customer-based brand equity through corporate social responsibility-Case Haglöfs (Master’s thesis).

Websites 

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Pringle, H. (2019). Why Emotional Messages Beat Rational Ones. [online] Adage.com. Available at: https://adage.com/article/cmo-strategy/emotional-messages-beat-rational/134920/ [Accessed 3 Jan. 2019].

Rifkin, G. (2019). How Harley Davidson Revs Its Brand. [online] strategy+business. Available at: https://www.strategy-business.com/article/12878?gko=ffaa3 [Accessed 3 Jan. 2019].

Shortyawards.com. (2019). Chevrolet #BestDayEver – The Shorty Awards. [online] Available at: https://shortyawards.com/8th/chevrolet-bestdayever-2 [Accessed 3 Jan. 2019].

Statista (2019). Topic: Google. [online] www.statista.com. Available at: https://www.statista.com/topics/1001/google/ [Accessed 3 Jan. 2019].