In the ancient times, there have been major form of experiments that have been made with the process of capturing of sound on a recording platform and for the reproduction of sound. The recording of sound had begun quite early during the Industrial Revolution based in the 1800s. The history of recording of sound had progressed in waves and was majorly driven with the aid of commercial and industrial introduction based on certain new technologies (Beauchamp, 2013). The earlier form of sound recording and playback would primarily involve the live form of recording of a performance. This would be recorded in a medium based within a mechanical process, which is also known as acoustical recording.
During the acoustic era, there were several kinds of experiments that were conducted based on sound recording, preservation of the primary context and thus the reproduction. The earliest form of recording of sound technology were purely based on mechanical devices. These kind of recorders were comprised of a horn for the purpose of collecting and focusing on the physical air pressure (Tsay, 2013).
The second form of sound recording technology were mainly introduced with the help of Western Electric integrated system. This kind of integrated system would use to mainly comprise of electrical microphones, electromechanical recorders and electronic signal amplifiers (Taylor, 2014). The electric systems of recording of music greatly improved over the usage of time. This kind of vast form of major improvements within the technologies greatly improved the reliability of recording of different kinds of sound. This kind of technology also increased the range of reproducible frequency would be based on s much wider broad band. This would also be helpful for allowing different audio engineers for the purpose of capturing (Warner, 2017). They would also help in gaining a rich, detailed and balanced form of sound records. These form of historical methods of recording of sound would make use of multiple microphones that would be connected to different multi-channel electronic amplifiers, filters, mixers and compressors.
In the previous times, the human voices would not be recorded. The plain idea of recording and playback of sound was based on the capturing of magnetic signal on a conductive medium. This prime idea was conceived by an American engineer (LaBelle, 2015).
An audio engineer is also popularly as a recording engineer. These professionals mainly help in producing a recording based on a live performance, balancing or adjusting of the frequency of sounds. These audio engineers also make use of different kinds of tools such as equalizers, mixers and many other forms of improved tools for bringing in reinforcement within the quality of sound (Thompson, 2018).
With the growth in the kinds of technologies that have been developed within the audio technology, it has been extremely necessary for an audio engineer to set new kinds of levels for the organization (Davidson, 2017). The impact of this kind of technology largely affected the works of Chris Lord-Alge. He is an American sound mixing engineer. Chris makes an extensive use of the traditional sound mixing technologies and combines them with the latest technologies. Since then, he had bagged the title of the “Lord of Compression”. He used to perform the art of compression of music forms by modelling plug-in companies that included Waves Plug-ins (Pedersen & Zacharov, 2015). He used to collaborate with them and thus would take the best advantages from their models and thus make his own line of plug-ins.
Chris makes a wide form of usage of the older form of tools. He primarily makes mix of analog on his personal SSL console. Thus Chris makes an extensive use of Pro Tools that have been majorly been used for as a playback engine. He deeply puts focus on the art of hearing, sitting in front of the console, patch vintage pieces of music. Upon performing these kinds of functionalities, Chris turns these levels for the purpose of designing great forms of sounding results (Ballou, 2015).
Chris Lord-Alge and his brother Tom makes a wide use of the vintage outboard gear along with the Sony 3348. The vast form of outboard gear that are used in Chris Lord-Alge room are mainly explained by the fact that Chris belives that the effects within the hardware would still sound to be better rather than plug-ins. It is in addition to the fact that most of the boxes used by Chris are pre-set towards a particular form of setting and are generally hardwired towards some specific channels of the SSL (Schedl, Gómez & Urbano, 2014).
An audio engineer requires the use of different forms of skills that should be acquired by the person for the purpose of delivering rich outcomes for any organisation. The different kinds of skills that are highly required in the field of audio engineering for the audio engineers include the impact of technical skills, professional skills and critical form of listening skills (Moylan, 2014). There is a high use of gaining knowledge about the technical skills that would be highly required within the industry. These would be helpful for the growth of different forms of technical aspects within the organisation (Pedersen & Zacharov, 2015).
Chris makes use of high form of technical skills in his sound mixing studio. Chris makes use of advanced technical skills. Chris focuses on musical performances, timing, pitch, critiquing and overseeing articulation and interpretive qualities (Scheirman, 2013). Chris further explains his extensive use of technical skills by producing the fact that once he has acquired each of his material on to his Sony 3348, he would proceed with the work of the real time mixture. Chris performs a thorough review of every comp and sets them to be finely tuned (Beauchamp, 2013). Based on the review of the blogs published under his name, it has been understood and has been stated by Chris that he makes and addition of the plug-in effects during the particular stage of compiling.
An intense form of use of the three mentioned skills would be extremely helpful for the audio engineers. Based on the discussion from the above understandings it could be discussed that Chris Lord-Alge makes use a wide form of tools based on critical listening, technical and professional skills for the growth of his business (Pedersen & Zacharov, 2015). Based on the review of the blogs published under his name, it has been understood and has been stated by Chris that he makes and addition of the plug-in effects during the particular stage of compiling. Chris also works with other sound engineers and thus develop ideas based on their works.
The different kinds of critical listening skills based on music technology includes the recognition of frequencies and a chronological examination based on recording of technology. With the knowledge of these forms of skills, the professional audio engineers such as Chris would be able to improve the use of other form of mentioned skills (Scheirman, 2013). The use of technical skills is in direct relationship with the critical form of listening skills that have been developed by the audio engineers. The use of a vast form of technical skills would help the audio engineers to think about the next form of possibilities that could be developed within the industry of music for the betterment of the industry. The use of these forms of skills would help the researcher to identify the different kinds of problems if they might arise within the organisation and thus put effect on the organisation. Thus the discussion from the study conducted on Chris leads to the fact that it was a personal choice of the engineer based on making of changes within every section. In order to achieve the similar purpose, Chris would suggest that the different steps should be properly lined up. It was a huge form of challenge to perform mixture upon a particular song but it also involved a lot of thrilling experiences. The use of the different forms of skills used by Chris helps him to deliver better solutions in the field of music. Chris also performs various forms of musical inputs such as hiring of other music composers, arrangers and musicians with whom he performs the musical works.
Conclusion
Based on the discussion from the above report, it could be concluded that the world of music industry has changed a lot in the past few decades. There have been major forms of developments in the world of music industry. The latest forms of innovations within the sector of audio engineering have been able to introduce the users with the latest forms of technological services that would be mainly needed within the industry. The commercial form of music and audio engineering should be able to balance themselves with the requirements of the workplace. This could be possible with the wide form of implications based on the proper form of balance based on critical thinking, use of soft skills and problem solving skills. These kinds of skills would be highly required in the workplace environment based on different kinds of arising situations within the industry. Hence it could be concluded that the impact of a wide form of skills would be highly necessary within the industry of music and for the audio engineers.
References
Ballou, G. (2015). Handbook for sound engineers. Focal Press.
Beauchamp, R. (2013). Designing sound for animation. Focal Press.
Corey, J. (2016). Audio production and critical listening: Technical ear training. Focal Press.
Davidson, J. (Ed.). (2017). The music practitioner: Research for the music performer, teacher and listener. Routledge.
LaBelle, B. (2015). Background noise: perspectives on sound art. Bloomsbury Publishing USA.
Moylan, W. (2014). Understanding and crafting the mix: The art of recording. Focal Press.
Pedersen, T. H., & Zacharov, N. (2015, May). The development of a sound wheel for reproduced sound. In Audio Engineering Society Convention 138. Audio Engineering Society.
Schedl, M., Gómez, E., & Urbano, J. (2014). Music information retrieval: Recent developments and applications. Foundations and Trends® in Information Retrieval, 8(2-3), 127-261.
Scheirman, D. (2013, July). Are audio education programs keeping pace with new developments in industry?. In Audio Engineering Society Conference: 50th International Conference: Audio Education. Audio Engineering Society.
Taylor, T. D. (2014). Strange sounds: Music, technology and culture. Routledge.
Tsay, C. J. (2013). Sight over sound in the judgment of music performance. Proceedings of the National Academy of Sciences, 110(36), 14580-14585.
Warner, T. (2017). Pop Music-Technology and Creativity: Trevor Horn and the Digital Revolution. Routledge.
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