The famous Woodford Folk Festival in Australia is held on an annual basis over 6 nights and 6 days. It starts from 27 December and goes on until 1 January. As many as 2000 international, national and local musicians, artists and other presenters display more than four hundred and thirty eight acts in front of an audience comprised of approximately 132,000 people. The Australian Woodford Folk Festival is renowned for its iconic Opening Ceremony. It closes quite spectacularly as well, with a fire event being conducted on the first day of the New Year (Gibson & Connell, 2016). The festival is based on the vision of a creative and inclusive community, tradition and culture that has been passed down by generations of Australians and which has been expressed through ceremony and story. Woodfordia, is at the time of the festival transformed into one massive village comprising of more than 25,000 volunteers, organizers, stallholders, performers and daily patrons. Around 2680 volunteers from as many as 162 departments contribute effectively to the everyday setting up and running of this vibrant festival (Mahadevan 2017). This report aims at creating a detailed marketing plan to identify the different ways in which the Australian Woodford Folk Festival could end up increasing the number of day-trippers to its venue in the next three years. To do so, the report identifies, describes and quantifies potential and target market segments with the ultimate aim of the marketing plan being to attract the target market segment selected.
Mission Statements
Woodfordia is a well known non-profit as well as community driven organization. It is headquartered in Woodford in the South Eastern part of the Australian state of Queensland. Some of the Woodfordia’s popular pursuits include the production of the Woodfordia Artisan Camp, the Small Halls Festival, The Planting Festival and the Folk Festival. The mission statement of Woodfordia is to foster, facilitate and stimulate the promotion and preservation of folk culture. It wishes to do so for the good of the common people of Australia (Woodfordia Inc, 2018). Some of the main objectives of the Woodfordia organization are to:
It is the aim of the Woodfordia organization to increase the number of day trippers at the Woodford Folk Festival quite substantively. It aims to do so in order to provide some form of leisure and recreation that is rooted in Australian folk culture and tradition for people who own pets, who are not agile enough to travel much, and for whom the cost or logistics of spending even one night away from home could be rather prohibitive. By increasing the number of day-trippers to its folk festival, Woodfordia also aims at catering to the cultural tastes and requirements of families that are entrusted with the care of young children and who cannot afford to be away from them for even one night (Gration & Raciti, 2014).
Current Day Tripper Market and Marketing Strategies
The day tripper population at the Woodford Folk Festival is one that is steadily growing in number. The Woodford Folk Festival is known to receive approximately 116,000 visitors every single year, out of which at least 4000 or more are day trippers. The percentage of day trippers attending the Woodford Folk Festival has gone up by as much as ten percent in the last one year or so. The day trippers at the Woodford Folk Festival are those who enjoy all the music, fun and social debates that take place during the festival but who want to go back home at the end of the day rather than camping out at the festival site. Since they are compelled to return home after the festivities, the day trippers tend to be a weary lot once the sun goes down. Apart from getting tired easily, primarily due to the fact that they have to confine all their festival activities to a stipulated number of hours in the day, most day trippers at the Woodford Folk Festival tend to find the event a bit expensive. Day tickets at the Woodford Folk Festival cost $ 109 on an average, which is a lot to pay for people who are not going to be at the festival for the entire length of its times but rather will attend only all the activities that take place during the day (Gibson, 2013).
A good marketing strategy to deploy for attracting day trippers to the Woodford Folk Festival would be to reduce the price of the day tickets by at least ten to twenty dollars. This will encourage more and more people to buy day tickets and attend the festival rather than avoiding the festival altogether because day tickets are expensive (Gibson, 2014). Another good way to increase the presence of day trippers at the Woodford Folk Festival is to increase the bus services that bring people to the festival site from main city areas and take them back again. There is a Woodford Express Shuttle facility which is in operation at the moment, and this shuttle service can be made to expand by a considerable extent to increase the number of day trippers attending the festival.
Strengths |
Weaknesses |
· Attended by artists and people from all over the world · Generates revenue for the Australian government |
Inadequate transportation arrangements and refreshment facilities for day trippers |
Opportunities |
Threats |
Increase revenue by improving day tripper attendance |
No serious threats |
Based on competitive advantage theory, the Woodford Folk Festival organizers will increase the number of shuttle services that transport people from major metropolitan destinations to the festival venue and take them back, in the next three years. While there is only one shuttle service known as the Woodford Express that is running at the moment at least two more shuttle buses will be introduced for the upcoming Woodford Folk Festival this year to encourage more day trippers to attend the festival (Wagner & Hollenbeck, 2014). The festival organizers in the next three years will also schedule events in a way that well known local and international artists performing at the festival get to carry out their shows during the day, at a time when these can be attended by day trippers and festival campers alike. Special arrangements will be made also in the form of an increased number of chairs, benches and other types of seating arrangements so that older members among the festival day trippers or those attending the festival with young children can get to relax and take it easy after rigorously moving about the festival site, hopping from one event to another (Ballantyne et al., 2014).
(Source – as created by the author)
Marketing Objectives and Target Market
Specific Objectives
S – Specific |
Improving day tripper attendance at the Woodford Folk Festival |
M – Measurable |
Increasing number of tickets sold to day trippers for attending the festival |
A – Attainable |
Bringing about an increase in tickets specifically for day trippers |
R – Relevant |
Getting day trippers to feel relaxed and comfortable at the festival |
T – Time Bound |
Making day trippers feel they get full value for the money they spend on attending the festival |
Working professionals who are in their youth, that is, those aged between 24 and 35 years of age form a potential day tripper target market segment. Such people have spending power because they are employed in lucrative jobs, and are likely to be well entertained by the festival events, most of which feature performances by renowned national and international folk music artists, because of the age group to which they belong (Tkaczynski, 2013).
People in their early and late middle age, that is, people aged between 36 and 56 years also form a potential day tripper market segment. Such people also have considerable spending power due to the fact that they are usually well established in their jobs by now and are also not old enough to feel to weary and tired when camping at the festival site or when extensively touring the festival site attending one event after another (Mair, 2017).
The selected and most suitable day tripper market for the Woodford Folk Festival for the next three years is the early youth target market segment. These are people who are definitely not likely to get too tired as a result of a day trip, even when travelling with families and young children and will not find the festival too expensive to attend if the day ticket prices are reduced. They will have all the enthusiasm, energy and money required to have fun at the festival and will certainly find it even more convenient to attend the festival when the shuttle service is expanded for their benefit (Connell & Gibson, 2013).
Product
The product being marketed over the next three years is the one day festival tickets for the Woodford Folk Festival. The one day tickets encourage day trippers to attend the festival without being compelled to stay overnight at the festival venue by camping out.
The new price of the festival ticket is going to be fixed at $ 90 in the next three years so as to cater to customers of every budget. It is hoped that the moderate price of the ticket will encourage day trippers to take part in the Woodford Folk Festival in larger numbers than usual in the coming three years.
The moderately priced one day Woodford Folk Festival tickets will be extensively promoted in the next three years on social media channels like Facebook and Twitter. Efforts will also be made to promote such tickets through leaflets at coffee shops and shopping malls (Abreu-Novais & Arcodia, 2013).
The low priced one day festival tickets for the Woodford Folk Festival will be sold during the next three years online as it is done so in the present also, via the festival website. Potential customers can pay for the tickets using credit and debit cards, PayPal or internet banking facilities.
The one day tickets for the Woodford Folk Festival in the next three years will be sold at a reduced price for all and sundry, but very specifically also for people who are under thirty five years of age and who are extremely likely to attend the festival as day trippers.
The process of selling the one-day tickets over the next three years will be fairly simple. The tickets shall start being sold at least four to six months ahead of the actual dates of the festival so as to enable as many people as possible to book their participation at the festival.
Every attempt will be made to make the ambience of the festival venue as vibrant and as colorful as possible. Colorful hoarding and signboards will guide visitors to specific events. There will be sufficient space for people to move around in too.
Activity |
Jan |
Feb |
March |
April |
May |
June |
July |
Aug |
Sept |
Oct |
Nov |
Dec |
Marking out all the marketing objectives |
y |
|||||||||||
Recruiting marketing professionals |
y |
|||||||||||
Initiating different marketing processes |
y |
y |
y |
|||||||||
Procuring feedback from the entire marketing process |
y |
|||||||||||
Introducing changes if necessary |
y |
|||||||||||
Continuing with the marketing plan |
y |
y |
y |
y |
y |
y |
y |
|||||
Evaluating the success of the marketing plan |
y |
(Source – as created by the author)
Budget
Event |
Year |
Amount Allocated |
Woodford Folk Music Festival |
2018 – 2019 |
$ 10,000 |
Woodford Folk Music Festival |
2019 – 2020 |
$ 10,000 |
Woodford Folk Music Festival |
2020 – 2021 |
$ 10,000 |
The Woodford Folk Festival organizers are also equipped with a number of non-financial resources that will make administrating the festival in the next three years a smooth and efficient experience. There is voluntary service for example that the organizers benefit from every single year, with thousands of local Australians volunteering to help out at the event. Woodfordia Inc has full ownership of the land that constitutes the festival site and there are plenty of cars and trucks available on call for moving camping and other equipment from one part of the festival site to another for setting up the festival site (Piazzi & Harris, 2016).
The budget allocated for the Woodford Folk Festival in the next three years will be monitored and reviewed very promptly and thoroughly. Corrective action will be taken where and when it is deemed as necessary by the budget accounting professionals (Jones, 2017).
Conclusions
The Woodford Folk Festival organizers can certainly hope to increase day tripper footfall at the festival venue in the next three years by reducing day ticket prices and increasing the arrangements necessary for making day trippers feel relaxed and at ease when attending the festival. Day trippers comprise a substantive part of the festival population and the organizers of the festival can certainly benefit by earning much more revenue than usual when they encourage day trippers to participate in the festival in large numbers (Carlson et al., 2016).
S – Specific |
Creating avenues to make day trippers feel comfortable at the festival |
M – Measurable |
· Creating a sufficient number of restrooms for the relaxation of day trippers · Introducing three or four shuttle buses for ferrying visitors to and from festival venue |
A – Attainable |
· Introducing rest rooms for day tripper relaxation · Increasing number of shuttle buses for day tripper transportation |
R – Relevant |
Getting day trippers to feel relaxed |
T – Time Bound |
Getting day trippers to feel satisfied after using the rest rooms and shuttle bus services |
References
Abreu-Novais, M., & Arcodia, C. (2013). Music festival motivators for attendance: Developing an agenda for research. International Journal of Event Management Research, 8(1), 34-48, available at https://www.researchgate.net/profile/George_Mckay2/publication/320433592_110-entry_annotated_bibliography–The_impact_of_jazz_festivals/data/59e51807458515250246f2c8/webster-and-mckay-2016-impact-of-jazz-festivals-annotated-bibliography1.pdf
Alter, A., & Keogh, B. (2013). Some preliminary thoughts on patterns of programming in Australia’s world music and folk festivals. In Shifting Sounds: Musical Flow: A Collection of Papers from the 2012 IASPM Australia/New Zealand Conference (p. 5). International Association for the Study of Popular Music, available at https://search.informit.com.au/documentSummary;dn=875677672799582;res=IELHSS
Arthurs, A. (2013). Music festivals are in trouble but the shows must go on. The Conversation., available at https://eprints.qut.edu.au/70141/
Ballantyne, J., Ballantyne, R., & Packer, J. (2014). Designing and managing music festival experiences to enhance attendees’ psychological and social benefits. Musicae Scientiae, 18(1), 65-83, available at https://journals.sagepub.com/doi/abs/10.1177/1029864913511845
Carlson, J., Rahman, M. M., Rosenberger III, P. J., & Holzmüller, H. H. (2016). Understanding communal and individual customer experiences in group-oriented event tourism: an activity theory perspective. Journal of Marketing Management, 32(9-10), 900-925, available at https://www.tandfonline.com/doi/abs/10.1080/0267257X.2016.1181099
Connell, J. (2016). Rural Place Marketing, Tourism and Creativity: Entering the Post-Productivist Countryside. In Rural Change in Australia (pp. 201-224). Routledge, available at https://www.taylorfrancis.com/books/e/9781317060888/chapters/10.4324%2F9781315607153-15
Connell, J., & Gibson, C. (2013). 5 Mobilizing Music Festivals for Rural Transformation. The globalization of musics in transit: Music migration and tourism, 115, available at https://books.google.co.in/books?hl=en&lr=&id=01lKAgAAQBAJ&oi=fnd&pg=PA115&dq=woodford+folk+festival+visitors&ots=Pw8TP6TXAQ&sig=utU16ZUeHZLfLL3zOqLEjSQwjwU
Gibson, C. (2013). Music festivals and regional development policy: towards a festival ecology. Perfect Beat, 14(2), 140-157, available at https://search.proquest.com/openview/7d23592e18e916e4592302f48a70e266/1.pdf?pq-origsite=gscholar&cbl=1036365
Gibson, C. (2014). Rural place marketing, tourism and creativity: entering the post-productivist countryside. Rural Change in Australia. Population, Economy and Environment, 197-210, available at https://books.google.co.in/books?hl=en&lr=&id=2cjsCwAAQBAJ&oi=fnd&pg=PA187&dq=woodford+folk+festival+day+trippers&ots=gwjG0hOGlH&sig=Pc-VsqZPOoLG2HPmXGBWp3ozQAI
Gibson, C., & Connell, J. (2016). Music festivals and regional development in Australia. Routledge, available at https://www.taylorfrancis.com/books/9781317092025
Gration, D., & Raciti, M. M. (2014). Exploring the relationship between festivalgoers’ personal values and their perceptions of the non-urban blended festivalscape: An Australian study. Scandinavian Journal of Hospitality and Tourism, 14(3), 275-295, available at https://www.tandfonline.com/doi/abs/10.1080/15022250.2014.946226
Gration, D., Raciti, M., & Walters, G. (2015). Back to nature: Festivalgoer environmental beliefs and camping experience at non-urban festivals. International Journal of Event and Festival Management, 6(3), 282-302, available at https://www.emeraldinsight.com/doi/abs/10.1108/IJEFM-02-2015-0008
Jones, M. L. (2017). Sustainable event management: A practical guide. Routledge, available at https://www.taylorfrancis.com/books/9781315439723
Mahadevan, R. (2017). Going beyond the economic impact of a regional folk festival for tourism: A case study of Australia’s woodford festival. Tourism Economics, 23(4), 744-755, available at https://journals.sagepub.com/doi/abs/10.5367/te.2016.0542
Mair, J. (2017). Parallel Session 11, Events and Festival Planning Track: Festival Sustainability: A Long-Term Holistic Perspective, available at https://stars.library.ucf.edu/ice2017/2017/thursday/25/
Piazzi, F., & Harris, R. (2016). Community engagement and public events: the case of Australian folk festivals. Event Management, 20(3), 395-408, available at https://www.ingentaconnect.com/contentone/cog/em/2016/00000020/00000003/art00008
Tkaczynski, A. (2013). Flower power? Activity preferences of residents and tourists to an Australian flower festival. Tourism Analysis, 18(5), 607-613, available at https://www.ingentaconnect.com/content/cog/ta/2013/00000018/00000005/art00010
Wagner III, J. A., & Hollenbeck, J. R. (2014). Organizational behavior: Securing competitive advantage. Routledge, available at https://www.taylorfrancis.com/books/9781135928810
Woodfordia Inc. (2018). Home. [online] Available at: https://woodfordia.org/ [Accessed 30 Aug. 2018].
Zeppel, H. (2013). Reclaiming identity and territory: Events and indigenous culture. In Events, Society and Sustainability(pp. 113-132). Routledge, available at https://www.taylorfrancis.com/books/e/9781136481949/chapters/10.4324%2F9780203134535-16
Essay Writing Service Features
Our Experience
No matter how complex your assignment is, we can find the right professional for your specific task. Contact Essay is an essay writing company that hires only the smartest minds to help you with your projects. Our expertise allows us to provide students with high-quality academic writing, editing & proofreading services.Free Features
Free revision policy
$10Free bibliography & reference
$8Free title page
$8Free formatting
$8How Our Essay Writing Service Works
First, you will need to complete an order form. It's not difficult but, in case there is anything you find not to be clear, you may always call us so that we can guide you through it. On the order form, you will need to include some basic information concerning your order: subject, topic, number of pages, etc. We also encourage our clients to upload any relevant information or sources that will help.
Complete the order formOnce we have all the information and instructions that we need, we select the most suitable writer for your assignment. While everything seems to be clear, the writer, who has complete knowledge of the subject, may need clarification from you. It is at that point that you would receive a call or email from us.
Writer’s assignmentAs soon as the writer has finished, it will be delivered both to the website and to your email address so that you will not miss it. If your deadline is close at hand, we will place a call to you to make sure that you receive the paper on time.
Completing the order and download